When I was coming up, hackers embraced both those definitions. "Information wants to be free" and "fuck corporations" were our guiding principles.
Edit: to the dead comment in reply to this one, of course it's more nuanced than "all information should be public at all times". It's almost like a 5-word axiom necessarily omits nuance in exchange for brevity.
Hackers also used to exhibit critical thinking skills, sheesh.
Very cool. I have a similar side project for scraping youtube playlists and aggregating open source texts. Mainly materials for computer science, system design, and DSA (data structures and algorithms).
stremio + debrid had been nice for most things. after a bunch of random stremio plugin outages i built my own little app that just talks to apibay and the debrid back end and links it up to vlc a few months ago and have just used that.
This is great, but I was wondering: Where can I get access to the work that you do? For free, I mean.
Don't get me wrong -- I think it's great if someone else wants to pay you for doing that work. It's good for you, and it's probably connected somehow to you doing that work in the first place. It's just that, for me personally, I'm not really into that whole side of it.
After Napster, there was no going back from giving people immediate unlimited access to everything.
Streamers like Spotify learned that there’s a price point that is low enough for people to “round down” and forget it’s on their monthly credit card statement, but high enough that major label execs are happy. The trick is ignoring what the artists want.
Bandcamp does ok without ignoring what the artists want. I think the biggest issue with buying directly from the musician isn't the price but the friction of purchasing online
Jokes on us, after all has settled. Have you tried to buy a ticket to live music lately? It was $750 for a good seat in more than 1 occasion this past year, and that is first market tickets from the venue, not a traditionally 'scalped' ticket.
These two equations are tied together. Before, the lucky artists were front-loaded their buckets of cash from the labels. But now the royalty cheques are measured in pennies and the live music enjoyers seem to be the equalization payments.
Most of the people that complain about ticket prices are going to ticketmaster venues to see elaborate productions built by the biggest artists in the world.
When I tell people that I used to go to at least one show every week on my grad student stipend they are very confused. It’s because I was seeing music by local bands or up-and-coming acts that would charge $10 in the back of a dive bar. Those types of shows aren’t $10 any more, but they are still cheap. And those are the artists that are in the most need of your financial support with tickets and merch. Once an artist is big enough to book an arena… they ain’t struggling
I just bought a bluray drive and I've started ripping movies. The quality is fantastic on an HD bluray upscaled on a 4k tv, and even a DVD looks far better than I thought it would, and far better than it did 20 years ago when DVDs were current.
Vinegar syndrome has a couple UHD releases that are on 100GB BluRay. Storage available has been.. ahem, sparse. But you can get a real nice nearly-automated workflow for ripping with makemkv.
Edit: to the dead comment in reply to this one, of course it's more nuanced than "all information should be public at all times". It's almost like a 5-word axiom necessarily omits nuance in exchange for brevity.
Hackers also used to exhibit critical thinking skills, sheesh.
On GH as joshribakoff/leetdeeper
https://fmhy.net/ai
A great resource as an alternative to hostile and expensive subscription based "services" that shouldn't be businesses.
Don't get me wrong -- I think it's great if someone else wants to pay you for doing that work. It's good for you, and it's probably connected somehow to you doing that work in the first place. It's just that, for me personally, I'm not really into that whole side of it.
For me personally, I just want the value.
Just keep it hush-hush.
That's the good stuff.
After Napster, there was no going back from giving people immediate unlimited access to everything.
Streamers like Spotify learned that there’s a price point that is low enough for people to “round down” and forget it’s on their monthly credit card statement, but high enough that major label execs are happy. The trick is ignoring what the artists want.
These two equations are tied together. Before, the lucky artists were front-loaded their buckets of cash from the labels. But now the royalty cheques are measured in pennies and the live music enjoyers seem to be the equalization payments.
https://www.facebook.com/groups/berowramonthlyjam/
$30 or "free" at Miss Celie's. If free, patrons are asked to buy a couple of drinks from the bar.
https://misscelies.com.au/
An import playing a stadium is eye-watering, but why bother?
When I tell people that I used to go to at least one show every week on my grad student stipend they are very confused. It’s because I was seeing music by local bands or up-and-coming acts that would charge $10 in the back of a dive bar. Those types of shows aren’t $10 any more, but they are still cheap. And those are the artists that are in the most need of your financial support with tickets and merch. Once an artist is big enough to book an arena… they ain’t struggling