Not having to use stuff like whiteout and having undo is quite nice. Getting layers "for free" is nice. I've given myself permission to even do some digital manipulation like resizing on the fly rather than redrawing some eye.
But watching some pros go at it on paper + pen, I do get this feeling that when you don't have the undo button you really do gotta force yourself to get good at the nitty gritty. Really you need to get good at drawing lines nicely the first time when you're inking to paper.
Also, when going through this stuff slowly and annoyingly, or tracing other people's art, you really start internalizing things like how some visual effect is gotten by just a handful of lines. 6 well placed lines gives you a notion of very voluminous hair for example.
it does feel like touching the lower level parts of a craft can help so much with having good fundamentals at a higher level.
Who hasn't, as a kid, thought "Oh I can draw bubble letters" and then realize that it's actually kinda tough, and then after mastering it have some new appreciation for spacing lines out properly and knowing where the pen goes?
Seems like a useful way to get a feel for things. Everyone "knows" how perspective work, yet a lot of people can't commit it to a page. There's clearly some understanding for how things work hidden in being able to do the thing, isn't there?
The way of seeing can be taught, requires discipline, and all the ways execution can fail--requiring tape, scissors, inks, or C-z--proves training is in the (deliberate) act.
Taste is another. It varies among many, but is often refined by the diet.
Not having to use stuff like whiteout and having undo is quite nice. Getting layers "for free" is nice. I've given myself permission to even do some digital manipulation like resizing on the fly rather than redrawing some eye.
But watching some pros go at it on paper + pen, I do get this feeling that when you don't have the undo button you really do gotta force yourself to get good at the nitty gritty. Really you need to get good at drawing lines nicely the first time when you're inking to paper.
Also, when going through this stuff slowly and annoyingly, or tracing other people's art, you really start internalizing things like how some visual effect is gotten by just a handful of lines. 6 well placed lines gives you a notion of very voluminous hair for example.
it does feel like touching the lower level parts of a craft can help so much with having good fundamentals at a higher level.
Who hasn't, as a kid, thought "Oh I can draw bubble letters" and then realize that it's actually kinda tough, and then after mastering it have some new appreciation for spacing lines out properly and knowing where the pen goes?
Seems like a useful way to get a feel for things. Everyone "knows" how perspective work, yet a lot of people can't commit it to a page. There's clearly some understanding for how things work hidden in being able to do the thing, isn't there?
Curious how people balance that in practice?
Taste is another. It varies among many, but is often refined by the diet.