The Octopus Carwash is one of my early memories from trips to the twin cities, probably the first time I have seen it or thought about it in 40 years. Kind of weird to stumble on that after all these years, I opened the link curious if there would be anything from my Minnesota childhood but did not expect that.
He's probably photographed it, but one of the biggest and the pinnacle of this idea, I think, is the Longaberger building in Ohio. If he did photograph it, I think it should have been among the ones listed in the article. Of course it's not as "folksy" as the others but it's in the same vein though greater in scale.
Blame the suburbs and communism - those are the two driving factors there.
Suburbs: everything has to be standardized and made efficient for global supply chains. Private equity is just the mechanism to achieve that. Want better food and produce? Stop going to McDonald’s, Costco, and Starbucks in your Jeep Gladiator. Also need to stop wasting so much taxpayer dollars on these useless, endless highways that destroy local economies and entrepreneurship and spread us out so we are reliant on cars.
Communism: everything must be “modern”, bland, and sterile. Andy Warhol. Banksy. Tape a banana to the wall and stare at it in your all black jumpsuit. All bright, white fluorescent. Nothing out of the ordinary or quirky, no individuality, all chains, all the same style.
You can still have consumerism with a divergence of style. You just can't have large concentration of wealth in select businesses and high cost of entry.
This kind of style comes out when there is high compeition and an economy that can support experimentation.
It’s ideologically related and, unfortunately with our McDonald’s level standards of art and culture it passes for something akin to artwork.
You’ll find Flower Thrower at your local IKEA or hung in the bathroom of Chipotle. They wouldn’t be caught dead hanging actual art from, say, Renoir though. The focus is to destroy originality, destroy individuality, destroy religion, and promote sterilization (not of people, though of course in some cases authoritarian ideologies like this do promote such insanity) and mass production.
It’s all the same communist ethos. Not everyone agrees, and you’re certainly free to disagree of course, it’s just my opinion.
Your rant seems confused from an art history point of view.
I think we should talk about the Bauhaus and where they were coming from. Industrial mass production allowed for cheaply mass produced ornaments during Historicism. To me it is easily understandable why the Bauhaus wanted to find a different approach to how to deal with industrialization and how to incorporate it into architecture, going away from mere imitation and copying. I think it’s extremely fascinating that those ideas took root in the Soviet Union (creating utilitarian living spaces on a mass scale) and the USA (office buildings).
Many contemporary artists, however, have very little or nothing to do with Bauhaus and its ideas at all. There is just no link connecting them … and while the Soviet Union did employ industrialized mass production to build living spaces without ornaments its art was more often than not Socialist Realism, which is a different beast altogether.
You're so wrong that you're right again. The US funded and promoted modern art as a counterpoint to communism. There was even a submission about it a few weeks ago on here. [0]
> Nothing out of the ordinary or quirky, no individuality, all chains, all the same style.
One could say the same about capitalism/consumerism. In fact, many creatives have done so over the years. Bland and bleak life in the suburbs is a common theme. "Broad lawns and narrow minds" as Hemingway might have called it. So is the forlornness of a nondescript white-collar cubicle job. Even recently, the Backrooms taps into this.
One of the ideas put forward in Neil Gaiman's American Gods is that roadside attractions, "Biggest X", collections of whimsy happened where they happened because they were ancient places of power, and people felt inexplicably drawn to them and to set up somewhere people would explore and worship, if not literally, with their attention and energy. Gods could recharge there.
Here's a good one from my hometown https://www.atlasobscura.com/places/tommy-the-turtle
And then drive about 20 miles east and you hit this guy https://www.atlasobscura.com/places/w-eel-turtle
And then drive 30 miles north and you hit the original https://www.atlasobscura.com/places/tommy-the-turtle-boissev...
https://en.wikipedia.org/wiki/The_Longaberger_Company
[1] https://www.youtube.com/watch?v=6F6n_xlckNE
Suburbs: everything has to be standardized and made efficient for global supply chains. Private equity is just the mechanism to achieve that. Want better food and produce? Stop going to McDonald’s, Costco, and Starbucks in your Jeep Gladiator. Also need to stop wasting so much taxpayer dollars on these useless, endless highways that destroy local economies and entrepreneurship and spread us out so we are reliant on cars.
Communism: everything must be “modern”, bland, and sterile. Andy Warhol. Banksy. Tape a banana to the wall and stare at it in your all black jumpsuit. All bright, white fluorescent. Nothing out of the ordinary or quirky, no individuality, all chains, all the same style.
This kind of style comes out when there is high compeition and an economy that can support experimentation.
You’ll find Flower Thrower at your local IKEA or hung in the bathroom of Chipotle. They wouldn’t be caught dead hanging actual art from, say, Renoir though. The focus is to destroy originality, destroy individuality, destroy religion, and promote sterilization (not of people, though of course in some cases authoritarian ideologies like this do promote such insanity) and mass production.
It’s all the same communist ethos. Not everyone agrees, and you’re certainly free to disagree of course, it’s just my opinion.
I think we should talk about the Bauhaus and where they were coming from. Industrial mass production allowed for cheaply mass produced ornaments during Historicism. To me it is easily understandable why the Bauhaus wanted to find a different approach to how to deal with industrialization and how to incorporate it into architecture, going away from mere imitation and copying. I think it’s extremely fascinating that those ideas took root in the Soviet Union (creating utilitarian living spaces on a mass scale) and the USA (office buildings).
Many contemporary artists, however, have very little or nothing to do with Bauhaus and its ideas at all. There is just no link connecting them … and while the Soviet Union did employ industrialized mass production to build living spaces without ornaments its art was more often than not Socialist Realism, which is a different beast altogether.
> Nothing out of the ordinary or quirky, no individuality, all chains, all the same style.
One could say the same about capitalism/consumerism. In fact, many creatives have done so over the years. Bland and bleak life in the suburbs is a common theme. "Broad lawns and narrow minds" as Hemingway might have called it. So is the forlornness of a nondescript white-collar cubicle job. Even recently, the Backrooms taps into this.
[0] https://news.ycombinator.com/item?id=49428080
https://storymaps.arcgis.com/stories/e31fca375f7a471a9a2e2cd...
via https://guides.loc.gov/roadside-america-photographs?loclr=fl...
via submitted link.
I was certain the collection had to have Lucy the Elephant and indeed it does:
https://www.loc.gov/item/2017712086/
https://lucytheelephant.org/
Full moon over Margate.
Otis Gibbs - Great American Roadside