Surviving "The Graduate"

(newyorker.com)

29 points | by samizdis 2 hours ago

5 comments

  • js2 1 hour ago
    For anyone not familiar with "The Graduate" or wants a refreshed, this analysis by Steven Benedict is as good as anyway:

    https://www.stevenbenedict.ie/2012/12/the-graduate/

    (9 minute audio essay.)

  • djeastm 11 minutes ago
    I remember watching and discussing this film in a film appreciation class. Neat to hear Hoffman's side of it (though it sounds like it wasn't a good time).
  • markm248 9 minutes ago
  • btilly 15 minutes ago
    Here is my hot take. His belief that he was failing, helped him succeed.

    I don't mean this in a trite way. The character portrayed is supposed to be awkward and anxious. Feeling awkward and anxious in real life, left him in the right frame of mind when he walked on set. He looked awkward and anxious, because he actually was.

    Actually feeling what the character is supposed to be feeling, is the heart of method acting. The upside of method acting is that it creates very powerful performances. The downside of method acting is that you have to experience all of the feelings of the depicted drama.

  • loeg 41 minutes ago
    Why now? These events were 60 years ago.
    • rafram 32 minutes ago
      Excerpt from a memoir that came out recently.